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Case study · Divine Creatures tour · August 2026

How Nuda ran the Divine Creatures tour in Tourouter

8 shows in 10 days, three acts, one van. Told by the artist who ran it, with the screens she ran it from.

Kaylie Cortez, Keys, guitars and production, NUDA
Kaylie CortezKeys, guitars and production, NUDA

Seattle to Arizona and back, August 7 to 16, 2026

8shows
10days on the road
3acts in one van
12fuel stops, split three ways

Kaylie Cortez plays keys, guitars and everything else in NUDA, the Seattle darkwave project she has led since 2019. In August she co-headlined the Divine Creatures tour with SINE, with Curse Mackey behind the decks most nights: 8 shows in 10 days, Seattle down through Reno and Los Angeles to Arizona, and back.

Nobody on the run was a hired tour manager. Rona of SINE booked it and built the first spreadsheet in February. Kaylie ran the days, and her drummer, who flew in for a few of the dates, worked off the same day sheets and itineraries as everyone in the van.

Before

The group chat is not a tour manager.

Every run starts the same way: a spreadsheet for the plan, and a group chat for the questions about it. Rona built the Divine Creatures spreadsheet in February, and it was a good one. It still could not text anyone at 8 in the morning, split a tank of gas three ways, or tell a drummer landing at LAX where the van would be.

The spreadsheet went in once

Scott imported Rona's sheet into Tourouter. Kaylie went through it line by line, fixing times, adding the hotel check-ins and set lists, and sending feedback on anything that got in the way.

Scott imported our spreadsheet and I went through it with a fine-tooth comb. After that it was the only place the tour lived.
Kaylie Cortez
app.tourouter.com
The Divine Creatures route in Tourouter on the web: eight show days and four drive days down the left, and the Money panel for the Seattle show marked settled.

Every morning, the day arrived by text

Load-in, soundcheck, set times, the address, who to ask for at the door. It went to everyone on the run, including the drummer who flew in for a few dates, whether or not they had opened the app. The question “what time is load-in?” stopped getting asked.

Nobody on the run paid for a seat to get it. Crew and viewers ride free on every plan. Anyone on the crew list gets the day sheet by text, and the ones who installed the app get a push as well. If you got one of these on somebody else's tour, your own run is free to plan.

The morning text for August 14 as it arrived on a phone: the venue address, then the day schedule starting with the drummer's flight in from Seattle.
The end of the same text: the DJ set times, a directions link to the venue, and the sign-off, Nuda via Tourouter.

The text as it arrived on the morning of August 14, the day her drummer flew into Los Angeles. Recipient's name changed.

The whole day, in one screen

August 14 in Los Angeles: the drummer's flight in from Seattle, the drive to the venue, load-in, doors, three set times, and the drive to the hotel at 2:00 AM. One sheet, on the phone in her pocket.

The whole day in one view. Hotel check-in, load-in, set times, load-out. I stopped digging through the spreadsheet to find out what was next.
Kaylie Cortez
The day sheet for the Los Angeles show in the app: day notes about parking, then the schedule opening with the drummer's 10:35 AM flight from Seattle and its confirmation.
The same day sheet further down: the padded drive to the venue, load-in, doors, the three set times, and the 2:00 AM drive to the hotel.

The money got settled as they went

Three acts, one van budget. Gas, tolls, the Bakersfield stairs. Six of the eight shows were settled in the app, and the split stayed visible to all three acts.

Three acts shared one van and one ledger here. If you manage several acts, Roster puts all of them under one account, with ten editor seats and free crew on every run.

Every expense split between the three of us as we went. I got gas this round, Rona got gas the next, and it was all right there. Nobody had to do the math at the end of the tour.
Kaylie Cortez
One settlement from the run, the Holland Project in Reno: expected $250, paid $260, ten dollars over.
The tour profit and loss screen: revenue, expenses, net, and a ring chart of what was kept.

Figures on every screen were changed at the band's request. The structure is the real tour.

This app is a game changer! I will never tour without it.
Kaylie Cortez, Keys, guitars and production, NUDA
Kaylie CortezKeys, guitars and production, NUDA

Hear the three of them tell it

Nuda, SINE and Curse Mackey recapped the run on the podcast a week after the last show.

From episode 42 · August 25, 2026

Nuda, SINE and Curse Mackey

Nuda, SINE and Curse Mackey on the run that worked because the routing did.

Every figure on these screens was changed at the band's request, and so were the name on the text and the flight confirmation. Everything else is the tour as it ran.